The School of the Transfer of Energy

Bread Labor

Posted in art, Bone Meal Bread, traditional woodcraft, transfer of energy, wooden bowls, woodwork by jackbaumgartner on May 25, 2012
Cabinet drawers
White oak frame
Cooler emboss and inlay
Carved Birch bowls

The Cave of the Erth and the Cave of the Sea

Posted in art, Oil Paintings, technique and process, transfer of energy by jackbaumgartner on May 9, 2012

Underpainting/ sketch of Job in the Cave of the Erth

  

Underpainting of Jonah Entering the Cave of the Sea.

 

Jonah, the Roiling Cave

Posted in art, design, Oil Paintings, technique and process, transfer of energy by jackbaumgartner on March 29, 2012

Drawing out Jonah on the canvas.

Day 3:   Yellow Ochre, Raw Sienna, Viridian, Flake White, Phthalo Blue

Day 2:  Yellow Ochre, Viridian, Flake White

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Shirt and Trousers for Walking Man

Posted in art, Oil Paintings, technique and process, transfer of energy by jackbaumgartner on March 14, 2012

Over the past month I have been painting the second layer of Walking Man’s shirt and trousers, and boot.  Hands and head are next.

Terror of Jonah

Posted in art, Drawings, technique and process, transfer of energy by jackbaumgartner on February 10, 2012

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Freeze and Thaw: Failure and Success

Posted in art, Bone Meal Bread, design, prints, technique and process by jackbaumgartner on February 2, 2012

2012, Drypoint of Moses in the Rock, 4 1/2″ x 6″.  Unlike an engraving which captures the ink in incised lines, the drypoint image is made by scratching the copper with a stylus, which raises a bur, trapping the ink on the surface of the plate.  This produces a “softer” or “fuzzier” line than the crisp and precise engraved line.  This also makes deeper tones possible, which I wanted for this image.  I am not sure that I have not failed in my attempt.  Yet I am not disappointed.  Failure is the plough.

Fire and Gravel.  2012, Engraving of Waking Man drawing a comet, 3″ x 4 1/2″.  The difference in line quality is readily observed in this engraved image.

A slightly earlier state of the Moses drypoint.

 

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Slideshow of  images from the printing process.

Building Layers

Posted in art, Oil Paintings, technique and process, transfer of energy by jackbaumgartner on January 18, 2012

Building layers onto the upper half panel of Walking Man and the Ancient Ocean.  Here, the clouds, sky, middle and far landscapes, and the cliff have all been recipients of a second layer on top of the underpainting.  Below are two details, and the panel in two  previous states.

  

underpainting and drawing

In The Shop (Accidental Tourist)

Posted in art, Bone Meal Bread, design, technique and process, transfer of energy, woodwork by jackbaumgartner on January 10, 2012

rescued starling; walnut and ash candlesticks; neighbor’s gear and cedar table project 

New Frames

Posted in art, design, Oil Paintings, transfer of energy, woodwork by jackbaumgartner on January 8, 2012

Mulberry frame for Moses.

Cedar and Ash frame for Jacob.

 

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Introduction to the School of the Transfer of Energy

Posted in art, design, Drawings, technique and process, transfer of energy, words by jackbaumgartner on December 17, 2011

Early Fronts-piece design for The School of the Transfer of Energy, featuring a drawing of a goatsucker.

Cover for the first handbook of The School of the Transfer of Energy.

Below is a revised and very pared down introduction to what the School of the Transfer of Energy represents:

The School of the Transfer of Energy

The Institute of Signs and Levers

The School of the Transfer of Energy was established as a tool to bring a simple order and understanding to a broad range of arts, crafts and agriculture based disciplines and the outputs of those disciplines. The Institute of Signs and Levers refers to a view of those disciplines as a deliberate and purposeful technology towards the receiving, cultivation and realization of relationship to God the Father, Son and Spirit.


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