Mule Resophonic Witness

I recently completed work on the handmade certificate of authenticity for Mule Resophonic Guitars, shipping him the first Batch this past week.  I hope you enjoy the finished piece and a few photos of the printing process.

Mule Resophonic Witness, 2018 linocut, printed with sepia ink on French’s paper
The block after numerous printings becomes a beautiful object.
The first batch of prints sent off to Matt Eich, now to be included with every guitar he and his team build, including the name of the customer and the number of the guitar written in the banners at the bottom of the print.
inking the block
Tthe trusty and bespattered 4″ speedball brayer.
A detail of the inked block.
Registering the paper on the block and press bed using a simple jig.
The delicate task of lifting the print from the block post printing.
print and block side by side
Examining the proof for flaws
The much reworked original drawing of the design.

Walking Man Sketches

Walking Man Eats Alfalfa Roots
Walking Man Listens To the Roots Talking To One Another
Walking Man Looks Backwards Into Time
Walking Man Hefting Bodark Roots and His Water Pot
Walking Man Encounters the Spirit of the Lord In a Night Heron
Night Heron Detail
Walking Man Finds Strength and Purity and the Morning Dew
Tools of the Mystic (The School of the Transfer of Energy Lexicon)
Ministers of Beauty (S.T.E. Lexicon)
Hyper-Symbolic Tools for Use in the Transfer of Energy (S.T.E. Lexicon)

The Book of Jonah

The following is a preliminary in a series of thumbnail sketches attempting to outline the story of Jonah.  These drawings, working out various ways to represent the various parts of the story, are a trial towards making an illustrated book of the story of Jonah.  The book may be a handmade one, possibly of linoleum-block or woodblock prints, or alternatively one which is printed with reproduced ink drawings.

Below is a larger format and more detailed, though unfinished, ink drawing illustrating Jonah building his shelter, as the gourd-vine appointed to grow by God begins to grow behind.

Geometry of the Wounded Savior

Thomas Grisaille02

This grisaille (grayscale underpainting) of the interaction of Thomas and Jesus and the gathered disciples and their community, has been slowly developing over the past three years, the drawing took about two years before that.  I feel like the end of this particular phase is finally in sight on the distant horizon.  I look forward to seeing the structure fully unfold and ultimately to the beginning the glazing of colors.

Thomas Grisaille03 Thomas Grisaille04 Thomas Grisaille06 Thomas Grisaille05 Thomas Grisaille08 Thomas Grisaille07 Thomas Grisaille09 Thomas Grisaille10 Thomas Grisaille11 Thomas Grisaille12 Thomas Grisaille01