\

Walking Man, Jonah, and The Ancient Ocean

Walking Man, Jonah, and the Ancient Ocean, oil painting on a poplar panel by Jack Baumgartner, 14.5″ x 22″, 2017

Upper panel, Walking Man striding through the arch

Lower panel, Jonah, swimming, yields to the sea monster

detail of the upper panel, with barn owl, Burr oak and cliffs.

Upper panel detail with symbolic structures

Lower panel detail of Jonah

The completion of a painting generally means a decision to stop working on it, otherwise the cycle would never end.  This painting, which was begun in October of 2009 reached that generally unheralded milestone of “completion” this fall, 6 years later.  Technically, the work is not entirely done, as I have yet to build the frame for it, which, especially for my panel paintings, represent a significant part of the presentation and outer composition.  I hope share some of the meaning behind this painting at some future date.

 

The Living Tree

The Living Tree, 2017 Linocut, printed from three blocks, 12″ x 22.5″


  

This Dirt Is Older Than I, or Elizabeth Duffy’s Witness

Nigh on two years ago I received an email from Elizabeth Duffy, a writer from Indiana, wanting to ask me a few questions about my art for her blog at Patheos.  She sent questions and I sent back my answers.  It went on for three or four months like that, and trust was built.  In the end she shared our interview in four parts on her blog.  Meanwhile Elizabeth felt the fruit of our dialogue merited a wider audience, and she went in quest.  Image Journal took the bet, and Elizabeth went to work.

Image1

I owe a debt to Elizabeth, but not necessarily for publishing an article about me in a magazine, although, that too is cool, and I expect that the measure of artistic validation it lends me is not insignificant.  It is for her time and her witness that I am grateful, it is for her trustworthiness.  I suspect most artists wonder, like me, if all the labor and turmoil that goes into making art, which purports to have emerged from a deep place in the created heart, is not the dead end of futility that it so often seems to be.  I know at least that it matters to Elizabeth, so much so that she built a soap box and voiced it to as large an audience as she could muster.  More sacred, she proved her trust with those treasures in my heart which I was able to share with her.  That carries weight.  Thank you Elizabeth.  You came along side me and we plowed together.  We even made the cover.

Image3

You can read the article online if you wish, or even buy the whole journal it here.

With genuine authenticity (I know it’s redundant) and authentic hunger, Elizabeth writes for a variety of different outlets, including Image Journal’s blog, Good Letters.   The best place to start and catch most of it, is at her personal blog.

Walking Man nimmt ein Sabbat

Resting Walking Man

Provision

provision01

I have been printing an edition of Flying Fish, a copper-plate engraving about the miracle of provision experienced by Thor Heyerdahl and his crew in the Pacific Ocean on their balsa log raft, the Kon Tiki.  This print is for sale at the Baumwerk Etsy store.

provision04 provision06 provision03 provision07 provision09

…a Walking Man drawing for my friend Steven.

provision10 provision02

Walking Man of the Roots

Walking Man of the Roots

Walking Man of the Roots2

Walkning Man of the Roots, detail

A Vessel, Strange and Unknown Finds Walking Man

Strange Vessel1

A vessel from the earth, strange and unknown, baring forth both blood and fire, finds Walking Man

 When You Spoke, guitar, accordion, banjo, and voice.

Strange Vessel3