A new print and BAUMWERKSHOP, our new online store

A Witness, the Heavenly Counsel, 2018 linocut print by Jack Baumgartner

Baumwerkshop

Marketing my work has always been precarious territory for me.  At a fundamental level, I am much more interested in making my work than trying to sell it.  Philosophically and morally, I struggle with the slippery slope of salesmanship and authenticity.  Authenticity as a word has already been pretty much trashed by our cultural trend towards filtered-authenticity in order to generate likes and sell products.  I am certainly guilty of it, myself.  Likes are addictive.  But it all leaves me with a bitter taste in my mouth.  It is hard to not feel like marketing breeds a certain level of dishonesty that we have decided to be ok with as a society. 

Usually my work is both deeply personal and (I hope) deeply spiritual.  I struggle often with the feeling that I am prostituting both myself and the things of God when I set out to peddle these visual representations in the marketplace.  I don’t really have a satisfying resolution for this uncomfortable feeling, except for the opposing weight of the reactions of “my” audience, expressing a desire to share in these things.   

do want to sell my work and provide an income for my family and finance future projects.  It is a part of life and a part of growing, of being fruitful.  It is part of work, which is a divine invitation.

I have a calling to make art and what I hope are beautiful objects, and useful pieces of furniture.  I have a calling to make that work accessible to the culture I am a part of.  I want to try to do that in as straightforward a way as I know how.  This new web store is an effort to do that. 

You can get to the store by going to https://baumwerkshop.com, or you can select the menu of this sight and click on “Purchase Work“.  I really do hope that you will visit and let me know what you think.  I also really hope that you might purchase something, if you see something you like.  There should be some exciting new things showing up there in the coming weeks.

Thank you, for supporting me and following along on this journey.  God is good.

  • Jack

    

The Sacred Process

The Sacred Process

Is labor a sacrament?  The invitation of the Eighth Day?  A sacred collaboration with the living God?  I can’t help but to note that the call to labor in the garden came before the curse of toil.  I am certain that labor is about more than just earning my bread.  There is something deeper there, not just for the artist, but for the ditch digger and the roofer, the farmer and the nurse.  “Whatever you think, it’s more than that…”  ISB.

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Crosstimber Tables

These images document a build in its early stage of a family of black walnut tables, centered around a richly grained and beautifully colored walnut tree which we salvaged from a farm near Winfield, Kansas.  The tables are a collaboration between my best friend/business partner and myself, sharing designing and building tasks to create, what we hope, are some authentically good pieces of furniture in the continuing tradition of live-edge/natural-slab furniture.

Walnut Timber Mantelpiece

The six and a half inch thick, 13 foot long walnut slab filled the shop as it came from the chainsaw mill.

Beam cutter on the old worm-drive

“rough-sawn” to the max

Using the “beam-cutter” to rip the slab into a six inch square timber

Pulling the saw at the end of the cut to save the last bit of slab for the corbels

Aluminum C-channel as a guide

start of the smoothing

a jack plane with a radius set to take heavy shavings

Now the joiner

pretty obvious

chopping out for a patch over a rotten knot

the same, fitted

filing the edges of a little copper butterfly template

bench-top with tools for making butterfly templates

variety of butterfly templates

Scribing the timber for butterflies to bind the main check

Routing out the waste

chopping the rest

right up to the knife line

ready for the joining

carving the corbels (my documentation fell off for most of this process)

mating the various natural edges of the corbels to the mantel

a little further back

fitting the opposite corbel

rough-cut cove on the left corbel

both corbels with coves-cut and awaiting final shaping

apply the final touches on the ends of the timber

“C” for the covenant

installed over the fire box, and the home-owner’s sandstone work.

I look forward to seeing it with the stone work done