The Outsider’s Blessing

Amor Ordinem Nescit

I bless you as an outsider

not as an outsider

not with drama

not as an identity

I bless you to be outside of those things

 to be outside as one unattached

as one dispossessed of system

upside down

as one upside down

limbs and branches arms and hands as roots

outside in rain as rain

outside in the sun as sunshine

sky as sky

unattached as one bound to dream

dreaming the great dreams

I bless you to be an outsider

an image of existence being wrung out

or as one that has died

I bless you to be outside as one remembered but not known

dislocated from the collective body of mankind, but for it

for it, to give it pleasure and to give it pain

so that it might remember with attention and awareness and openness

I bless you as outside as belonging to God alone

outside as one belonging only to Everything

outside as smoke leaving by the smoke hole

I bless you as smoke rising from hills and valleys 

smoke rising from the high places

I bless you to be an outsider

as one who is a fool and a friend; kin to the wind

the great winds that quiet the voices of the world

I bless you to be an outsider

outside as one who is open

open to the forces that sing God

the strong forces and the week forces that sing God

open to accidents that sing God

open to the damned who sing God

I bless you to be outside as one who is empty

as one deconstructed and deconstructing

a mockery 

unknowing and unknown

alone and outside with God in unknowing

alone and outside with Everything and Nothing cloud-gazing

I bless you to be an outsider 

as one who is unclean

who dances on the graves with the dead

outside as one who speaks to the dead who are living

the martyrs who are living

the stoned faced gods who are living

the stones who are living

the waters who are living

I bless you to be outside

as one too loud for inside

too uncouth for inside

a bronze bell ringing out across the land and for the land

resounding across fields and farms

a voice crying in the wilderness

as one who beholds the great openness of the city of God

outside as one who courts misunderstanding

outside as one who stands chaos

I bless you as an outsider

weeping the strong tears of Mary with Mary

being healed with Mary

waiting in the garden with Mary and with Eve

waiting under the Earth with Mary and Eve

outsider, hairy and horny

subterranean glories

crawling like a beast through the bush

the lord is my wall

the lord is my roof

the lord is my covering

Yes, outsider,

I bless you to be so far outside as to be inside

Crucifixion Drawing for Saint Bede’s Box

preliminary drawing of the crucifixion for the painted panels of the Saint Bede’s Box project.

I am leaning heavily on Gruenwald for this drawing of the crucifixion scene. This image will be transferred to a wooden panel for oil painting.

The Fourth Vision of Zechariah

The Fourth Vision of Zechariah, 2025, oil on oak panel, 27.5″x17″

Began in 2021, this painting is about the Hebrew prophet Zechariah, found in the Old Testament of the Bible, particularly the events of chapters 3 and 4 of his book. A limited number of archival reproductions of this painting are available at Baumwerkshop

The Great Beast

Exploring the Recurring Theme of the Great Beast and the Prone Man

I thought it would be interesting to take a look at the recurring image of the Lion/Dog-Chimera/Beast standing guard over the prone man in my work from the past 2 1/2 decades. The Beast Himself shows up in many other works, but today I am concerned with His appearance specifically over this lying-down (dead?)man; an obscured self-portrait echo of Hans Holbein’s Dead Christ.

When I first started making these images, I was very uncertain of the beast. Is he good or evil? Is he standing guard to protect the man from being devoured or to devour him himself? As time has gone on plenty of uncertainty remains, yet I feel that the beast transcends the duality of good and evil- I could even venture that he transcends it as goodness.

Pushing a bit harder, I might say the beast is the Angel of the Holy Spirit- if that’s too far, I can retreat to the ground that he is “messenger”.

Entering into the imaginal space of these images, the land of spiritual vision, allows their merger with memory and experience. That’s a leap into what some call the realm of the unseen. As for me, I say it is a seen realm, but with other eyes. They are my memories and experiences.

The man, is he alive or dead or both. He begins to be folded into the Earth in later drawings. And fully inhabits the worship life cycle of growth and decay by the last image. The relationships have matured a little bit perhaps? Time will tell.

Gilding A Divine Oath

The painting is back on the easel after a resting since spring. Gilding the letters of the divine and sacred promise to the land at the threshold of the picture was the first order, now I am glazing the purple field behind them, before addressing the errors in the gilding.

All the work is prayer- engaging EVERYTHING through the materials their resistance the colored dust the stillness the distractions the sable bristles the sticky oil the waiting the music in the background looking at Giotto interruptions aching neck lunch the glory the emptiness the inspired seeing fires skunks under the floor cold hands the failures and doubt exaltation pulling off a difficult passage looking at Gerard David the heavens the earth instinct the breathe the blood the sighing lord Jesus Christ have mercy on me.

Artful

Today my work will be featured on a segment of a television show called “Artful”, produced by Monument tv. It will air at 8 am MST and then again at 1 pm on the BYU tv channel, and then it will be available for streaming after that on the BYU TV website. While I haven’t yet seen it myself, the other episodes are beautifully and sensitively done, and my experience with the production team was truly delightful and meaningful. I hope that you will have a chance to take a look.

Egg Tempera Underpainting of Zechariah 3 & 4

This is a progress update of a painting that I began last year illustrating one of the visions of the old testament prophet, Zechariah. After making a complete grayscale (grisaille) in egg tempera, I have been doing a base color layer in egg tempera with a limited palette, of two earth tones, with a red, yellow, blue, black and white. The final layers of the painting will employ translucent oil glazes.