The Great Beast

Exploring the Recurring Theme of the Great Beast and the Prone Man

I thought it would be interesting to take a look at the recurring image of the Lion/Dog-Chimera/Beast standing guard over the prone man in my work from the past 2 1/2 decades. The Beast Himself shows up in many other works, but today I am concerned with His appearance specifically over this lying-down (dead?)man; an obscured self-portrait echo of Hans Holbein’s Dead Christ.

When I first started making these images, I was very uncertain of the beast. Is he good or evil? Is he standing guard to protect the man from being devoured or to devour him himself? As time has gone on plenty of uncertainty remains, yet I feel that the beast transcends the duality of good and evil- I could even venture that he transcends it as goodness.

Pushing a bit harder, I might say the beast is the Angel of the Holy Spirit- if that’s too far, I can retreat to the ground that he is “messenger”.

Entering into the imaginal space of these images, the land of spiritual vision, allows their merger with memory and experience. That’s a leap into what some call the realm of the unseen. As for me, I say it is a seen realm, but with other eyes. They are my memories and experiences.

The man, is he alive or dead or both. He begins to be folded into the Earth in later drawings. And fully inhabits the worship life cycle of growth and decay by the last image. The relationships have matured a little bit perhaps? Time will tell.

Gilding A Divine Oath

The painting is back on the easel after a resting since spring. Gilding the letters of the divine and sacred promise to the land at the threshold of the picture was the first order, now I am glazing the purple field behind them, before addressing the errors in the gilding.

All the work is prayer- engaging EVERYTHING through the materials their resistance the colored dust the stillness the distractions the sable bristles the sticky oil the waiting the music in the background looking at Giotto interruptions aching neck lunch the glory the emptiness the inspired seeing fires skunks under the floor cold hands the failures and doubt exaltation pulling off a difficult passage looking at Gerard David the heavens the earth instinct the breathe the blood the sighing lord Jesus Christ have mercy on me.

The Cosmic Tree

“I cannot bear, nor even hear the voices of men

unless they be in song and sore-amazed at the nearing nearness,

soaring -soaring in awful timbre about the unified flame”

from the Diary of a Tree Standing on Its Head

Go On, Adam, Breathe

“Go On, Adam, Breathe” a new linocut

This linocut of the Creator God breathing life and spirit into Adam is based off of an earlier drawing I made a number of years ago.

I’ve also printed a few colored versions from this block as well. All of these prints are available for sale in my store, baumwerkshop.com.

Artful

Today my work will be featured on a segment of a television show called “Artful”, produced by Monument tv. It will air at 8 am MST and then again at 1 pm on the BYU tv channel, and then it will be available for streaming after that on the BYU TV website. While I haven’t yet seen it myself, the other episodes are beautifully and sensitively done, and my experience with the production team was truly delightful and meaningful. I hope that you will have a chance to take a look.

Go On, Brother Lawrence

Go On, Brother Lawrence is a small wood engraving, carved and printed by hand from a boxwood block. Brother Lawrence (born Nicolas Herman) was a 17th century Discalced (barefoot) Carmelite monk. I will fall short to try to describe him in a brief statement, rather, I encourage you to read the small collection of his letters and conversations, Practicing the Presence of God. He has been a significant influence in my faith and work since I first encountered him in art school, over two decades ago. Brother Lawrence sought out the presence of God at all times and in all things, notably, in his daily labor as a cook and dishwasher and later as a repairer of sandals- the subject of this print- and in so many ways he became the present Christ to very many who came into contact with him.

If you would like to purchase one of these prints they are available in my store, Baumwerkshop.

the boxwood block during the carving process
the block in an early state, inked for proofing
block and print
the original drawing from my sketchbook