Posted on April 8, 2018
I recently completed work on the handmade certificate of authenticity for Mule Resophonic Guitars, shipping him the first Batch this past week. I hope you enjoy the finished piece and a few photos of the printing process.
Posted on February 26, 2018
Usually the prints I make are deeply personal illustrations of my heart, vision and journey. From the early days printmaking has been, to me, a form of prayer, offering up to the Father layers of concern and expression of things I do not often fully comprehend. Within that context is a platform to explore the visualization of spiritual concepts, revelations and principles- basically a blundering effort to make the unseen seen on some level. I wonder that I am taken up with making a “graven image” and how that settles with the second commandment (Exodus 20 verse 4 if you are interested). Hopefully, what I am making are objects that are doors or windows that might lead one into worship, certainly they are far from worshipful in themselves. I take comfort that the Merciful One will ultimately be the judge of my heart on this one.
These images here, are a divergence in a way, in that, they are the mixture of my expression and visual language with the story and purpose of two other entities. The first of those is Matt Eich of Mule Resophonic Guitars. He has been building these beautifully crafted and, by all accounts, almost magically sounding guitars for five years now. The resulting print will be the certificate of authenticity that will be presented with every instrument that he sells. Matt is passionate about story and building rich relationships with his customers, and he invests personal expression into every instrument. His sense of story has been woven together with mine here, I hope.
On a technical level, I am always in an attempt to push myself past where I was before in my work. It may only be in a way that is visible to my own eye. With printmaking I compose a design and I wonder if I will be able to pull it off- if the level of detail will translate as a small mammal, or a vine, or a bird- or just a confused tangle of ink. Many times it has resulted in the confused tangle. This print for Matt has tons of this risk built into the design, and I think his spirit has elevated me, because I somehow feel a door has been unlocked. Of course, I really won’t know until the ink hits the paper- but there is hope that these tiny branches will be able to speak.
The second entity is the musical trio Sister Sinjin. My good friend Elizabeth Duffy is part of this group of women who sing devotedly to the glory and love of God. This image from this block will become the cover art for their upcoming record. The contemplative spirit of their music really seems to offer a counterpoint to the industrious detail of the print I’m making for Matt. I’ve noticed and appreciated the contrast as I have been working back and forth between these two blocks. The quite offering of the woman and the persistent labor of the plowman. Both have offered a lot of opportunity to grow and develop and express, and I am grateful. There are many photographs of the carving process below, which is still underway in both cases, though I am nearly done with the Sister Sinjin block.
Posted on April 29, 2017
Posted on September 29, 2014
For many years the story and name of Obed Edom have struck deeply within me. His story in the bible is pretty short. As with many things I have tried to make my work a path into exploring this mystery. This print is now finished. To go along with its completion, I have included a song that I wrote a number of years ago of the same subject and with the same goal in mind. I hope that they are moderately fitting accompaniment to a powerful story and special man who I know very little about.
Posted on August 26, 2014
Prairie Creek Dining Table in white oak and black walnut.
Red Elm window sill and shelf moving from rough to smooth.
and being joined longways.
Obed Edom is getting his finishing touches.
A test print is pulled to see what needs adjusting.
John Beartrist Laceroot is stirring.
Clive Hicks Jenkins has posted the second part of an interview with me about The School of the Transfer of Energy Puppet Theater here. Thank you Clive.