Go On, Brother Lawrence is a small wood engraving, carved and printed by hand from a boxwood block. Brother Lawrence (born Nicolas Herman) was a 17th century Discalced (barefoot) Carmelite monk. I will fall short to try to describe him in a brief statement, rather, I encourage you to read the small collection of his letters and conversations, Practicing the Presence of God. He has been a significant influence in my faith and work since I first encountered him in art school, over two decades ago. Brother Lawrence sought out the presence of God at all times and in all things, notably, in his daily labor as a cook and dishwasher and later as a repairer of sandals- the subject of this print- and in so many ways he became the present Christ to very many who came into contact with him.
If you would like to purchase one of these prints they are available in my store, Baumwerkshop.
The Stone Hefter is a small (3″ x 5″) wood engraving that I first carved and printed in 2020. I think it must have struck a chord with people dealing with the weight of the pandemic and the resulting economic and cultural fallout. The first edition of 40 prints sold out rather quickly (for me) so I have printed a second edition on cream paper (the first was on white). It is available to purchase here.
The following is a sheet I typed up concerning the symbolism and some of the personal meaning of the piece.
This print of Mary Magdalene is based on and inspired by the fifteenth century master, Rogier van der Weyden’s painting of Mary Magdalene from the Braque triptych in the Louvre. The text around the print reads: May I be Your witness, God, and a record of Your goodness, mercy, and faithfulness. You can purchase a print in our store here.
Vox Universi (the sound of the Universe), is a little wood engraving carved from a block of Resingrave. It is a simple reflection on “non-profession music”, prayer, a celebration of the concertina, being slow, planting oak trees: things like that. If you want to buy one they are available here.
Go On, Shepherd is a new wood engraving available for sale in my online store Baumwerkshop. As a shepherd, often I find myself in this position, kneeling on the ground tending an animal. It is a humble position, yet, to be nearer to the earth by half or more is significant. Don’t forget that you are dust. Great comfort that is. When I learn of the soil I am learning about God, creator and king of the Universe. It is good to be humble, kneeling on His earth.
What do you think? If a man has a hundred sheep, and one of them goes astray, does he not leave the ninety-nine and go to the mountains to seek the one that is straying? And if he should find it, assuredly, I say to you, he rejoices more over that sheep than over the ninety-nine that did not go astray. Even so it is not the will of your Father who is in heaven that one of these little ones should perish. Matthew 18:12-14 NKJV
“I am a steward because I am not here for very long”, I heard a farmer say once. The land remains and was here before. The sheep flocks – the good ones, are like an organism or a nation, and they persist, reflecting the decisions of the shepherds over them. My flock carries the intention of many shepherds before me and it will reflect mine after I am gone. The sheep too will remain. Any ownership I have is really only stewardship for One who is greater, and it is good to take care of life for Him and with Him. This too is comforting.
These are some of the thoughts I have, kneeling on the earth with lambs.
The “Stone Hefter”, a small wood engraving and lesser spiritual lever
Does It Matter
The question “does this matter” is part of the consistent and insistent background chatter every day of my life. The question never goes away and has a thread of doubt woven through it, but it is balanced with the choices that I’ve made as an individual, and also as part of a family and part of a community that says “yes, it does matter”. It is a faith wager to keep doing it every day. It is not unlike lifting this stone.
When I make art I am praying. I am listening and I am seeking. Please do not misunderstand, it is not a righteous act but a desperate one. When I labor to make a print like this I am asking – begging God that it will be a lever for His Kingdom and His goodness- that it might become part of His own expression. The images and the labor are connected to a mystery as a spiritual practice. Everything is more than it seems, in the same way that a single word in a poem can become a passageway into a new story or a different world that, as it turns out, is vitally interconnected to this one.
Then I have to navigate what to do with it once I’ve made it. The path (in spite of my countless attempts to take it other places) always leads to a wide river called “marketing”. I am on one bank and the rest of the world is on the other. I’m all but convinced that I will drown if I go in. It is a strange baptism.
The Spiritual Mechanics of Labor and Rest is a relief print edition carved and printed by hand from a block of linoleum. It is available for pre-order in the Baumwerk Shop. It will be an edition of 100 prints. Numbers 1-75 will be black ink on white paper, while numbers 76-100 will be sepia ink on cream paper. There will be a separate listing for each color option. The black and white prints will be ready for shipping sooner on March 23rd, while the sepia and cream prints will be available a few weeks later.
The Spiritual Mechanics… began as a way of building a repository or archive for many of the symbols that help me to understand my place and function in the world and the Kingdom of Heaven. It is, after a fashion, an info-graphic which serves a developing theology around the ancient kinship of labor to worship.
At the heart is a worldview which sees an holistic unity between what is spiritual and what is natural. These are crude words and a crude image which is looking towards something that is deep and nuanced in its beauty and inherent goodness within the mind of God. My hope is that in here is an echo of God saying of the earth and creation, “It is good”. Also the echo of the Words of the Creator resident in every atom and particle. May it be an echo of John the Baptist saying “change your hearts and minds, because the Kingdom of Heaven is at hand!” May it be an echo of Jesus saying “it is finished” on the cross. Heaven is coming to earth and our labor here is not in vain.
The Spiritual Mechanics of Labor and Rest is also a prayer and an offering. It is the noise my heart makes towards God, offering the smallest and most mundane moments of my days as He simultaneously offers them to me. It both seeks to say and asks if it’s really true that labor spent shoveling dirt in a garden , roofing a house, or cutting a stone before God can be as significant a spiritual lever as the most noble words of the priest in the cathedral, or the pastor behind a pulpit, or the hands of a healer in a tent.
I have more openly exposed my heart in this image than in my previous work, where it is shielded by narrative. In following posts I will seek to lay out the symbolism and stories behind the details depicted here, but it should be understood that I have sought to use images like these because for me the words are fundamentally insufficient to describe what it is that I see and seek.
I also hope that you will consider purchasing this print. Many of you know my ambivalence towards the marketing. However, I believe I am called to engage the “marketplace” with my work in a way that settles with my conscience and ethics. Here is a link to pre-order The Spiritual Mechanics of Labor and Rest.
Concerning the invitation to occupy the sacred rhythm of labor and rest and to engage the “resistant materials” not for provision first, but for relationship, for worship, for knowing God. I’ll share more on this when the print is done. The block is about 75% carved. I hope to be able to start making some proofs of the image in two or three weeks.
Marketing my work has always been precarious territory for me. At a fundamental level, I am much more interested in making my work than trying to sell it. Philosophically and morally, I struggle with the slippery slope of salesmanship and authenticity. Authenticity as a word has already been pretty much trashed by our cultural trend towards filtered-authenticity in order to generate likes and sell products. I am certainly guilty of it, myself. Likes are addictive. But it all leaves me with a bitter taste in my mouth. It is hard to not feel like marketing breeds a certain level of dishonesty that we have decided to be ok with as a society.
Usually my work is both deeply personal and (I hope) deeply spiritual. I struggle often with the feeling that I am prostituting both myself and the things of God when I set out to peddle these visual representations in the marketplace. I don’t really have a satisfying resolution for this uncomfortable feeling, except for the opposing weight of the reactions of “my” audience, expressing a desire to share in these things.
I do want to sell my work and provide an income for my family and finance future projects. It is a part of life and a part of growing, of being fruitful. It is part of work, which is a divine invitation.
I have a calling to make art and what I hope are beautiful objects, and useful pieces of furniture. I have a calling to make that work accessible to the culture I am a part of. I want to try to do that in as straightforward a way as I know how. This new web store is an effort to do that.
You can get to the store by going to https://baumwerkshop.com, or you can select the menu of this sight and click on “Purchase Work“. I really do hope that you will visit and let me know what you think. I also really hope that you might purchase something, if you see something you like. There should be some exciting new things showing up there in the coming weeks.
Thank you, for supporting me and following along on this journey. God is good.