Some Drawings about Mary Magdalene

from the Diary of a Tree Standing On Its Head

Mary anointing the feet of Jesus. I find myself, in my heart seeing Mary of Bethany and Mary Magdalene as one Mary- incidentally I also see them as Eve.
Walking Man Attending to the Braids of Mary Magdalene Attending to the Feet of Christ

Crucifixion Drawing for Saint Bede’s Box

preliminary drawing of the crucifixion for the painted panels of the Saint Bede’s Box project.

I am leaning heavily on Gruenwald for this drawing of the crucifixion scene. This image will be transferred to a wooden panel for oil painting.

Ad Astera

– a piece of writing from The Diary of a Tree Standing On It’s Head

Ad Astera


the stars now singing
across my soul a song
do they, great beings, all light and fire and mass,
who I see as a remote and pulsing brightness,
do they perceive me as a speck of distant darkness?
a black dot dancing upon great luminous eyelids
closed against the internal glowing abyss of their being

I sense the song singing
dreaming into my soul's slumber
heard by spirit into spirit waking
Everything's own sonorious drawl
near and warm as seems my blood
distant and cool as seem the stars:

oh, my beloved, oh, my heart
do not be afraid, I am for you now
you, who have been thinking you are too slow
too slow of your hands you thought
and your feet and your heart you thought
too slow in your great labors you thought
but I say, no, not slow enough, no not yet
the trees are slow and the rocks still more
the earth prodigious in slowness
but not yet you, you must be slower still

oh, image, oh, self-discerning self
you, who have been thinking
that you have become too small
too obscure and too insignificant
you who have been thinking
that you can measure meaning
by size and shape and outward things
but I say no, no, not yet have you become truly small
not as the small beings whose life doesn't weigh on the moral scales
you must become as obscure as the undiscovered
as insignificant as the poor
no not yet, my dear, you must be smaller still

dearest dear, heart of my own heart
you who have been thinking that you are too foolish
foolish beyond what is acceptable, even for an artist
even for a fool, and what miracles are there
to make it ok?
but I say no, not yet
you are not yet foolish enough to contain me
be foolish until all is lost and squandered
and as a fool go on, and then we'll talk
I am not far

oh, beloved god-knowing self
you who have been thinking
that you have failed too often
and too greatly too grievously
you who have been thinking much
that I will disown you
that I would spit you out
because the great practice you have made
of failing and of shame
but I say no, not yet
you have not failed enough nor greatly
not yet enough to receive me
when I come like water and
when I come like fire
fail still, fail and fear not
I will not abandon you
fail and do not abandon me

I hear the star's laughter now
like children they laugh without derision
for joy they laugh
and for love, they twinkle
like stars in the sky


What Sam Sees

What I See: Go On Shepherd and Lamb

by Sam Kee

My good friend Sam Kee wrote a nice essay about my little shepherd print. I marvel at how and what Sam sees in my art. If you want to read it it’s over at the Color of Dust Substack– no pay-wall. While Sam gives me more credit than I deserve, he truly helps me to see what I am, sometimes blindly, about. Every artist should be so fortunate to have friends who are willing to engage their work on such a deep level. Somehow I have more than a handful of them and I’m mighty grateful.

I’ve also released a second edition of this print for sale over at Baumwerkshop.com if you are interested. The stock might be low at the moment but there are more coming.

Orion Visits John Moriarty

From The Diary of a Tree Standing On It’s Head

John Moriarty describes a dream in which he hears a knock on his door late at night. He opens the door to the incarnation of the constellation of Orion. Orion as a representative of the whole Universe has come to deliver a message to John (as a representative of humanity?), concerning the accumulation of everything which humanity has believed about the Universe, well, the Universe doesn’t recognize themself in any of it.

Sacred Heart

This drawing is part of The Diary of a Tree Standing on it’s Head series I’ve been working on.

I also decided to make some prints of this one. They are for sale here at Baumwerkshop.com

The Great Beast

Exploring the Recurring Theme of the Great Beast and the Prone Man

I thought it would be interesting to take a look at the recurring image of the Lion/Dog-Chimera/Beast standing guard over the prone man in my work from the past 2 1/2 decades. The Beast Himself shows up in many other works, but today I am concerned with His appearance specifically over this lying-down (dead?)man; an obscured self-portrait echo of Hans Holbein’s Dead Christ.

When I first started making these images, I was very uncertain of the beast. Is he good or evil? Is he standing guard to protect the man from being devoured or to devour him himself? As time has gone on plenty of uncertainty remains, yet I feel that the beast transcends the duality of good and evil- I could even venture that he transcends it as goodness.

Pushing a bit harder, I might say the beast is the Angel of the Holy Spirit- if that’s too far, I can retreat to the ground that he is “messenger”.

Entering into the imaginal space of these images, the land of spiritual vision, allows their merger with memory and experience. That’s a leap into what some call the realm of the unseen. As for me, I say it is a seen realm, but with other eyes. They are my memories and experiences.

The man, is he alive or dead or both. He begins to be folded into the Earth in later drawings. And fully inhabits the worship life cycle of growth and decay by the last image. The relationships have matured a little bit perhaps? Time will tell.