Today my work will be featured on a segment of a television show called “Artful”, produced by Monument tv. It will air at 8 am MST and then again at 1 pm on the BYU tv channel, and then it will be available for streaming after that on the BYU TV website. While I haven’t yet seen it myself, the other episodes are beautifully and sensitively done, and my experience with the production team was truly delightful and meaningful. I hope that you will have a chance to take a look.
Nigh on two years ago I received an email from Elizabeth Duffy, a writer from Indiana, wanting to ask me a few questions about my art for her blog at Patheos. She sent questions and I sent back my answers. It went on for three or four months like that, and trust was built. In the end she shared our interview in four parts on her blog. Meanwhile Elizabeth felt the fruit of our dialogue merited a wider audience, and she went in quest. Image Journal took the bet, and Elizabeth went to work.
I owe a debt to Elizabeth, but not necessarily for publishing an article about me in a magazine, although, that too is cool, and I expect that the measure of artistic validation it lends me is not insignificant. It is for her time and her witness that I am grateful, it is for her trustworthiness. I suspect most artists wonder, like me, if all the labor and turmoil that goes into making art, which purports to have emerged from a deep place in the created heart, is not the dead end of futility that it so often seems to be. I know at least that it matters to Elizabeth, so much so that she built a soap box and voiced it to as large an audience as she could muster. More sacred, she proved her trust with those treasures in my heart which I was able to share with her. That carries weight. Thank you Elizabeth. You came along side me and we plowed together. We even made the cover.
With genuine authenticity (I know it’s redundant) and authentic hunger, Elizabeth writes for a variety of different outlets, including Image Journal’s blog, Good Letters. The best place to start and catch most of it, is at her personal blog.
“Rootrill” I hope that you will forgive me for posting an eleven minute song in the twenty first century. Mostly, I hope that you enjoy it.
Prairie Creek Dining Table in white oak and black walnut.
Red Elm window sill and shelf moving from rough to smooth.
and being joined longways.
Obed Edom is getting his finishing touches.
A test print is pulled to see what needs adjusting.
John Beartrist Laceroot is stirring.
Clive Hicks Jenkins has posted the second part of an interview with me about The School of the Transfer of Energy Puppet Theater here. Thank you Clive.
There is the first part of an interview about my Puppet Theater here at UK artist, Clive Hicks-Jenkins’ blog if you would like to check it out. Thanks everyone for the visits.
I have completed and installed four different pages about puppetry for The School of the Transfer of Energy. The main page is under the work heading, hover over it and there are three additional pages, including drawings, and the script for The Two Deaths of John Beartrist Laceroot. I hope you enjoy them, and thank you for visiting.
The End of the Valley, guitar, accordion, fiddle and banjo.
If you are having trouble viewing the slideshow try clicking the post title to go directly to the post. -jack
I am building a new group of pages for The School of the Transfer of Energy Puppet Theater. In the meantime here are a few pictures as an appetizer.