Below are three details from the Panel of Thomas touching Jesus’ wounds, with the disciples gathered. The panel is 54″ x 32″.
A large group of figures making up the right half of the composition.
Thomas and Jesus.
Peter.
The working drawing.
Years ago I was commissioned to make a painting of Thomas touching the side of Jesus after the Resurrection. I began this drawing then but ended up doing a much simpler painting for the commission. I am in the process of preparing a large panel (for the second time) in order to paint this picture. In this post is the drawing and original painting. Following posts will explore the large panel construction and preparation and the new easel I have had to build to accommodate it.
The drawing.
Left detail.
Center detail.
Right detail.
The original painting.
The most recent work on this painting of Moses in the Cleft of Rock involves the completion of the rocks and the beginning of the turf around Moses. Sections of turf remain to be painted as does Moses himself. Once those elements are completed other details to the composition will be introduced.
…and a few details…
Fall is approaching, and work on painting is resuming as well.
Below are some pictures of the small painting of Moses in a cleft of rock when the Glory of God is passing by. The under-painting or under-drawing arguably, is egg tempera, the subsequent layers are oil. The most recent work is taking place in the rocks above Moses in the upper right of the painting.
Below is a photo of the frame for Heironymos Bosch Painting in His Studio. The frame is hard curly maple, cherry, and black walnut. I had troubles capturing a quality photo of the frame. Also pictured are a few new details: a great horned owl, bluebird, and some crows in the right-hand panel, and a plowman leading a pair of oxen on the left-hand panel.