In Resisting, Dung Beetle Falls

In Resisting, Dung Beetle Falls Backwards and Upside Down into the Monolithic Pantheism of a Kernel Containing Everything

As one resistant of labels, with equal parts zealous interior violence, comic irony, and a dash of cowardice, I walked the fields of this farm land counting my ewes and does, counting the rams and bucks, counting the yearlings, the lambs and the kids and the wethers. It is warm for February. I walk the crop land; the recent snow having melted in the winter sun. Walking through the corn stubble I stop to retrieve, from the earth, two large ears of “bloody butcher” corn missed by the corn picker last fall, missed also by the gleaning deer, raccoon, crows and the like, lying perfect and impervious to the recent moisture until the wet warmth of spring softens their hardness: two glorious ears. I contemplate my relationship to that particular variety of dent corn and through it, the land, and through it to Everything. I consider the blood-red kernels, possessed of this inner light, very much like jewels, but of a different telos. I encounter in there a bewildering and univocal intimacy, and before knowing, and without thinking I fall down into it. 

I recall my friend sending me a word, “Panentheism”, a few weeks back, like a gentle test, or inquiry. And I think of Pierre Teilhard de Chardin, the French priest and scientist with whom I most readily associate to panetheism. I like him quite a bit, and his ideas, and I like the word. It is artful, that word. I said to her, I don’t much like labels, generally speaking, but I suppose I would often consider myself a Panentheist. 

Panentheism: the belief that the being of God includes and penetrates the whole universe, so that every part of it exists in Him, but (as against pantheism) that His being is more than, and not exhausted by, the universe. 

-from the Oxford English Dictionary

But now, facing the intimacy in the interiority of the kernel, it was in panentheism rather than in pantheism that I felt the limit. Indeed, panentheism’s caveats felt more like a weak-kneed parsing, seeking to hold-back and play it safe. It is in the same way that we tend to parse the imagination, classifying visionary experiences (artistic or otherwise) that we find acceptable as “imaginal”, while those that seem unacceptable, for whatever reason, remain just imaginary, made-up, or fanciful. I know why the distinctions are there (and I love Corbin), but sometimes they piss me off. And just this morning I had written in a bit of a headache trance: “Imagination is God, Art is God”. As if I had decided that I no longer had the wisdom or the will to sort these matters out, or distinguish between them. I watched a lifelong internal rift between God and art vanish in the twinkling of an eye, and it was good. 

Back in the kernel of red corn out in the field, instantly and unexpectedly I slip from panetheism into pantheism. As quickly as putting on a shoe- or taking off, I am in an entirely new dimension of the world. The fall is easy but precise, and not without risk. I have no will to be safe in regard to the Heart of Everything in the kernel. A pantheism of necessity where I choose nothing and where I choose Everything. And I am “naked on the horn of the world”. 

Over the years I have watched my discernment deliquesce, losing familiar boundaries amidst the univocal acuteness of the immanent transcendent intimacy of encounter. These moves which seem outwardly as a “falling away” are indeed a falling, but a towards-falling, a deeper-into-Christ-and-his-wounds-falling. A cascade failure into the mysteries and reconciliations of those wounds. A dung beetle descent into the earth and her wonders. The stigmata materialize and manifest and I pitch over into it. I tumble into the graven image. Image becoming likeness and circumcised on the heart. I might end up with a heart like Queequeg’s face. The wound and the eye are one. 

I emerge with a blessing, mined long in the trouble of the earth, fashioned from the resistant material of words. This blessing is backwards and upside down. If I understood it, perhaps, I would not offer it, but as it is so I must. So, I bless you with this blessing which is backwards and upside down. It is the blessing of the indirect way, and the willingness to endure it. It is the blessing of the third way, when you are only offered two. It is the blessing of wearing the wounds of Christ as a garment, dwelling in them. Not even Solomon in all of his splendor was clothed as one of these. It is the blessing of the Graven Image, the moment when image transforms into likeness, circumcised on the heart. 

This upside-down blessing defies the senses, it is supersensible in a left-handed way. What appears to be rotting is a flowering below, what tradition holds to be a sacrilege and profane is sacred and holy and pure beneath the threshold of knowing. It is Coyote’s blessing; it is Raven’s gift. It is Jesus saying, “you have heard it said, an eye for an eye etc., but I tell you, love your enemies, and so on”. It is the kingdom hidden inside the mustard seed. The upside down and backwards is resistance that looks like abdication and failure. It is a divine and holy silence that feels like complicity. It is losing explanation and definition for the awe and intimacy of mystery and paradox. 

There is never an interpretation for the backwards and the upside down. It offers no proof and no footholds. It is the mystery of the drunkard and the addict who find fire. It is when God becomes Imagination, and when God becomes Art- and not because the form is necessarily good or beautiful by established standards or sound judgements.

It is Jesus showing up as a Trans-person. It is the astrologers suddenly having the answers where the priests are blind. It is the water-witch locating the spring. It is Nebuchadnezzar raping Jerusalem and Jeremiah buying land from the pit. It is finding God when every other voice says “not God!” It lost the rules and burnt the patterns for sake of the seeking of the Kingdom of Heaven, forever standing the world on its ear. 

So, I bless you backwards and upside down in the name of Jesus of Nazareth. If you do not want this blessing, wipe the dust from your feet and give it to me. I will take it, I want the dust.

A Handful of Earth

It has been a long time since I have drawn much with colored pencils- many decades as a matter of fact. But the youngest of my kids love to draw with them and we have been spending time drawing together in the evenings. There are many levels of joy in rediscovering the accessibility and immediacy of colored pencils with my children.

A Handful of Earth

The Farm in Mid-Summer

celebrations of lucerne and other legumes, solar crescents, roots, and the husbandry of even toed-ungulates

sward of chicory, crimson, and white clovers

inquisitive crossbred pig in a paddock of rye and vetch

hampshire pig eating bolted chicory

improvised by a previous farmer, well worn window weight cover chains

nitrogen nodules formed on alfalfa (lucerne) roots

lucerne (alfalfa) roots and crown, pulled from the vegetable garden

garlic, un-earthed

root fire works

sonar malfunction (?) allowed us a daytime visit from a strange and fierce nocturnal beneficient

windrows in the alfalfa (Medicago sativa) meadow

the rusty old New Holland swather in contrast eating alfalfa

I read once that the Arabic word from which the name “alfalfa” came meant “best fodder”

Louis Bromfield justly brought attention to its role as a soil healer. It seems to live up to its names, feeding livestock, pollinators, humans, the soil and its inhabitants, and the atmosphere.

I feel grateful that I get to farm my own patch of lucerne. In the background is a mobile chicken coop with laying hens working the perimeter of the meadow. We’ve learned that alfalfa is a key ingredient in good eggs.

the angus bottle baby

bellows for milk

lambs in the illuminated profile of humid dawn

the young shepherd studies his flock

compact paddocks of soybeans and milo forage, bloody butcher field corn, and the Quonset barn looking at home in the landscape

the great blue heron disturbed from his breakfast, as we head across the creek to do the morning chores

sun in hand

interplay of lensing leaves and the light of 92% totality

solar shield

transfixed

the image of the solar eclipse projected through on half of pair of binoculars proved to be the most successful of viewing contraptions

photographing under the helmet, layers of eclipse and lense

contractions of the dry months

elevated mundane details; oxidations of copper and steel

a barn that is part celebration of geometry, part dog house

the colors of the barnyard hens grouped together over their dawn ration

wax goldenweed of the many cousins in the sunflower family

emergence of the inflorescence of Indian grass

dr. Seuss hairdo of thistle

snow-on-the-mountain

snouts and ears

coreopsis growing in a wheat field we are converting to perennial pasture

Landscape Hewn and Tender

Small Rain
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There is the first part of an interview about my Puppet Theater here at UK artist, Clive Hicks-Jenkins’ blog if you would like to check it out. Thanks everyone for the visits.

The Caprine Outpouring

Amidst the bustle, we are celebrating the increase of new life this week.  Two of our does ushered in kidding season in ernest. The first one had quadruplets and the second, triplets.  I’ll spare you the “I’m not kidding” jokes.
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November Fire Morning

Mighty Good Building, guitar

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glass

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light

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flow

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heart

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cluster

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veil

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plane

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shape

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reveal

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return

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lantern

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generous

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boundary

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three

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grasp

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watch

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follow

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wait

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with

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voice

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energy

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horizon

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fire

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till

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draw

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stagger

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ridge

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bound

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ancient

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held

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enfold

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slowly

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hope

The Waning Summer

Sally In the Garden traditional, arranged by me.

spread

spread

scald

scald

engage

engage

brasica

brasica

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hot

graze

graze

ram

suffolk ram (Freeway)

mesa, Beaumont KS

mesa, Beaumont KS

yellows and reds

yellows and reds

big blue, Boaz KS

big bluestem, Boaz KS

stacked

stacked

plow

plow

deconstruced

deconstruced

indian grass, Boaz KS

indian grass and purple top, Boaz KS

process

process

turn

turn

flat

flat

indian grass, Boaz, KS

indian grass, Boaz, KS

weather

weather

sedge, New Boaz KS

sedge, New Boaz KS

between Beaumont and Piedmont

between Beaumont and Piedmont

skinned

skinned

scalded

scalded

rub

rub

stone

stone

Leavenworth eryngo (parsley), Boaz KS

Leavenworth eryngo (parsley), Boaz KS

plucked

plucked

house

house

pitcher sage, Boaz KS

pitcher sage, Boaz KS

cart

cart