art

Freeze and Thaw: Failure and Success

2012, Drypoint of Moses in the Rock, 4 1/2″ x 6″.  Unlike an engraving which captures the ink in incised lines, the drypoint image is made by scratching the copper with a stylus, which raises a bur, trapping the ink on the surface of the plate.  This produces a “softer” or “fuzzier” line than the crisp and precise engraved line.  This also makes deeper tones possible, which I wanted for this image.  I am not sure that I have not failed in my attempt.  Yet I am not disappointed.  Failure is the plough.

Fire and Gravel.  2012, Engraving of Waking Man drawing a comet, 3″ x 4 1/2″.  The difference in line quality is readily observed in this engraved image.

A slightly earlier state of the Moses drypoint.

 

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Slideshow of  images from the printing process.

Building Layers

Building layers onto the upper half panel of Walking Man and the Ancient Ocean.  Here, the clouds, sky, middle and far landscapes, and the cliff have all been recipients of a second layer on top of the underpainting.  Below are two details, and the panel in two  previous states.

  

underpainting and drawing

Introduction to the School of the Transfer of Energy

Early Fronts-piece design for The School of the Transfer of Energy, featuring a drawing of a goatsucker.

Cover for the first handbook of The School of the Transfer of Energy.

Below is a revised and very pared down introduction to what the School of the Transfer of Energy represents:

The School of the Transfer of Energy

The Institute of Signs and Levers

The School of the Transfer of Energy was established as a tool to bring a simple order and understanding to a broad range of arts, crafts and agriculture based disciplines and the outputs of those disciplines. The Institute of Signs and Levers refers to a view of those disciplines as a deliberate and purposeful technology towards the receiving, cultivation and realization of relationship to God the Father, Son and Spirit.