Thanks to my son for his help photographing when my hands were inky.
The Deeping Cold outside says to me, “Jack, it is a good time be indoors cutting copper into the flying fish of provision.”
“Indeed!” says I, “but let us not forget those who toil without such comfort.”
“Verily!” says the Deeping Cold.
2012, Drypoint of Moses in the Rock, 4 1/2″ x 6″. Unlike an engraving which captures the ink in incised lines, the drypoint image is made by scratching the copper with a stylus, which raises a bur, trapping the ink on the surface of the plate. This produces a “softer” or “fuzzier” line than the crisp and precise engraved line. This also makes deeper tones possible, which I wanted for this image. I am not sure that I have not failed in my attempt. Yet I am not disappointed. Failure is the plough.
Fire and Gravel. 2012, Engraving of Waking Man drawing a comet, 3″ x 4 1/2″. The difference in line quality is readily observed in this engraved image.
A slightly earlier state of the Moses drypoint.
Slideshow of images from the printing process.