Slow refinement upon the underpainting of Job in the Cave of the Erth.
design
Osage Bowls
Paddock Shed
I repurposed my first moveable paddock shed on sleds, so I built a new one. This one has open walls for breeze and more shade area for the sheep. The goats don’t use them much, unless it rains. The sheep don’t mind the rain, but like to have some shade. Simple and low cost, using mostly salvaged lumber and metal.
Ripping timbers on the bandsaw. The timbers were roughed out with the chainsaw 2 years ago from some salvaged cypress logs.
Traditional clamp.
Cypress and 2×4’s
Pulled behind the tractor from paddock to paddock.
Pear-wood Bowls and Spoons
Jonah, the Roiling Cave
No Man Sees
English Mount in Red Cedar
Freeze and Thaw: Failure and Success
2012, Drypoint of Moses in the Rock, 4 1/2″ x 6″. Unlike an engraving which captures the ink in incised lines, the drypoint image is made by scratching the copper with a stylus, which raises a bur, trapping the ink on the surface of the plate. This produces a “softer” or “fuzzier” line than the crisp and precise engraved line. This also makes deeper tones possible, which I wanted for this image. I am not sure that I have not failed in my attempt. Yet I am not disappointed. Failure is the plough.
Fire and Gravel. 2012, Engraving of Waking Man drawing a comet, 3″ x 4 1/2″. The difference in line quality is readily observed in this engraved image.
A slightly earlier state of the Moses drypoint.
Slideshow of images from the printing process.

















































