The finished console, or hall stand, made from alder wood. It is finished with tung oil.
Below is a detail of some of the carving on the right side and a simple oval finial.
Above is the new stage front for the puppet theater, temporarily set into place. Note the stage-wings (right and left), carved corbels, columns and sulphur inlay panels from earlier posts in their proper context. The new main stage front still lacks the obvious finishing, and the less obvious details. The front will also boast curtains and screens shielding both the wings from the front and leading back to the shadow screen (seen behind the main front). I have a lot of work to do on many aspects of the theater and props leading up to the theater’s performance of The Two Deaths of John Beartrist Laceroot this spring- the first performance in over five years.
The stage front on the workbench in the shop as the colomns are being affixed. The next post will cover the cuting of the flutes in the columns, and the special tool used to cut them. The proscenium panel is cut from an ancient piece of reclaimed walnut. The tree must have been quite big and old judging from the many close-set rings in this one piece alone.
Above are the front and back view of the alder wood console which after the final assembly. Below are some detail shots of the carved elements. There are some minor details to complete, such as to turned globes for the tops of the back posts, hardware, and finishing. The construction is mortise and tenon, frame and panel and a few dovetails at the top of the carcass. I use a combination of traditional work methods using hand tools and traditional-leaning work using power tools.
Details of the rosettes and fans (or sunburst).
Carving the decorative fans or sunbursts for the side panels of the alder console. I learned the trick of nailing the panel being worked to a larger board which is then held down with my iron “holdfasts” from Peter Follansbee.