Carved birch bowl.
Using the adze, making a carving block.
Curved adze for initial hollowing.
Smoothing with a curved knife.
Shaping the outside with a hatchet.
Smoothing the outside with a hatchet.
Cantilevered rocking chair in Eastern Red Cedar. Yet to be oiled in these photos, but I like the softness and light on the forms of the unfinished cedar.
Here are some pictures of current work from the workshop. First is a white oak Quercus alba pedestal commissioned for a bronze ballerina. Second are three green-bent post oak Quercus stellata (also a white oak variety) stool legs in the midst of shaping and their black walnut rungs that have been roughly shaved for another commission.
The pedestal, nearing completion here, was turned in segments on a faceplate made more broad with plywood. The main cylinder was turned between centers.
The pedestal with one coat of min-wax black walnut, and one coat of Watco black walnut, which isn’t as dark as the min-wax, but has a little more red which warms the tone. I will add at least one more coat of the Watco.
Detail of the large bead, cove, and fillets.
The post oak stool legs.
Walnut rasp handle.
Making of the Pedestal Cylinder:
Composite box of 8/4″ white oak (harvested at Boaz, KS). Recessed blocks were glued inside the box and then pine plates fitted and screwed on either end to allow installation on the lathe.
The corners trimmed at the table saw.
Spinning the box into a cylinder with a roughing gouge. Very heavy, lots of inertia, but well balanced.
Cylinder.
Below are some photographs from the process of the rough-shaping and bending (green) of post-oak, which is a variety of white oak, for use as legs in a pair of 3-legged stools -hopefully.
First the log was cut and split. This one has quite a of twist, which I am hoping to integrate into the design of the stools.
Next the halves are split into quarters and then into eighths with froe at the brake (no photos), then the eighths were trimmed with the hatchet.
After trimming the pieces are shaped down with drawknife at the horse.
After this rough shaping each piece was place in a form and bent using clamps, the clamps were removed after a few days and were replaced with wire. The legs will remain in the forms until they are dry and I am ready to shape them to final size.
For deep information on working with green wood please see Peter Follansbee’s blog.