The cuting, inking, printing, and proof of an ornamental lino-cut using an oak leaf motif using German brown linoleum. 7 1/2″ x 10″.
Wiping and printing the Saint Christopher Engraving.
Large sun-burst or fan carved cross-brace for the alder console I am currently building.
Jacob Wrestling a Blessing From the Angel of the Lord. Sumi Ink on Rag Paper.
Carving the decorative fans or sunbursts for the side panels of the alder console. I learned the trick of nailing the panel being worked to a larger board which is then held down with my iron “holdfasts” from Peter Follansbee.
Some images of an alder wood console, underway in the shop. The frame, dry-fitted, and some panels being shaped, then some dovetials of the frame assembly.
A backstage view of John Beartrist Laceroot and Mystichearingus Wolf.
The shadow screen set up on the work table for repairs and modifications.
The first test proof of the small Saint Christopher engraving (3″x4″), printed on BFK Rives paper.
On the bench are the low-relief carvings of two corbels in black walnut, which will support the extension wings to the puppet theater. It is important that all aspects of the theater be given special attention. “Every day part of one day” -brother lesser apollos.
The School of the Transfer of Energy 
