Layers of history at the bottom of the ancient ocean…
John Beartrist Laceroot Theme, 5-string banjo
sandstone, guitar
…If we set the little paraffin lamp out at night, flying fish were attracted by the light and large and small, shot over the raft…
…It sometimes happened that we heard an outburst of strong language from a man on deck when a cold flying fish came unexpectedly, at a good speed, slap into his face…
…They always came at a good pace and snout first, and if they caught one full in the face they made it burn and tingle… 
…But the unprovoked attack was quickly forgiven by the injured party, for with all its drawbacks, we were in a maritime land of enchantment where delicious fish dishes came hurling through the air…
…We used to fry them for breakfast, and wether it was the fish, the cook or our appetites, they reminded us of fried troutlings once we had scraped the scales off… Thor Heyerdahl, Kon Tiki, 1950
…There is a boy here who has five barley loaves and two fish. But what are they among so many people?…
…Now there was a great deal of grass in the place; so they sat down, about five thousand in all…
…Then Jesus took the loaves, and when he had given thanks, he distributed them to those who were seated; so also the fish, as much as they wanted…
…When they were satisfied, he told, he told his disciples, “Gather up the fragments left over, so that nothing may be lost.”
…So they gathered them up, and from the fragments of the five barley loaves, left by those who had eaten, they filled twelve baskets… John 6, 9-13 NRSV
In the dark and unlit ceiling of the Loretta Chapel there is a lonely painting of a chunky fish atop a heavy slab of bread. At the moment Thor Heyerdahl’s balsa log raft was colliding with a dusty man breaking bread in the grass of Palestine. The long pilgrim road leading through elder drifts, slabs of rock, mountains of hailstones, unearthly fish with a mouth like a grave. The sign of Jonah. Provision comes unlooked for, and fear is weathered away.
Plenty of two-dimensional work today: First, some hand-colored prints of Jacob Wrestling the Angel of God. A few of these are available if they strike you. Next, are some studies for a large, 18″ x 12″, lino-cut of Obed Edom. Finally, a few more prints and drawings.

Go On, Job, Bread & Water, for sale on Etsy

Goshen Ewe-Lamb, 3-color lino-cut, for sale on Etsy
Finally and thankfully, I was engaged by the keen and mysterious richness of this astonishing poem , from Tom Hirons yesterday. As a rule, I generally do not to link to other work here, so Sometimes a Wild God represents an exception.
I am stepping out on a limb. This time it is about the song. I have no realistic aims at professional musicianship. I tend towards the traditions where music was a social or intimate art form practiced by amateurs who spent more time in the dirt than the conservatory. That maybe a justification for a poorer quality than what is available, so be it, but it seems important to share a little more than just fragments. The song is called Good Father.
The drawings are for Rima, Thank you for the honor.
Those of you who are regular visitors know I have been slowly overhauling the pages here at The School of the Transfer of Energy. If you are new, know you know too. There are still some pages to rebuild, but for the latest, please take a few moments to visit the new Painting page. This has been perhaps the most personally interesting page to remake. Seeing so many of my paintings re ordered and in a fresh context has been revealing. Below are a few samples. I hope you enjoy them, and thank you for visiting. -Jack
all images are held in copyright by Jack Baumgartner. use by permission only