Cu

The Deeping Cold outside says to me, “Jack, it is a good time be indoors cutting copper into the flying fish of provision.”

“Indeed!” says I,  “but let us not forget those who toil without such comfort.”

“Verily!” says the Deeping Cold.

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bevel

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edge dust

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the transition

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gouache

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upon which to draw

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cultivators

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scribe

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awe

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hard meets soft

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line upon line

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slowly slowly

Spoon Root

Pear and osage.  Pot and spoon.  Turn and carve.  Root and hold.  Turn to bread.

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carven pear wood spoon

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roots grab earth

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grow tall

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charred a little for contrast

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carved with prairie dwellers

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wheat and bluestem on an osage vessel

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also burned a little prairie fire

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with the remnants of earlier dwellers

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light as a feather

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another pear wood spoon

         

November Fire Morning

Mighty Good Building, guitar

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glass

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light

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flow

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heart

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cluster

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veil

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plane

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shape

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reveal

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return

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lantern

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generous

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boundary

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three

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grasp

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watch

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follow

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wait

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with

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voice

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energy

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horizon

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fire

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till

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draw

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stagger

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ridge

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bound

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ancient

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held

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enfold

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slowly

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hope

Of Past and Future Prints

Plenty of two-dimensional work today:  First, some hand-colored prints of Jacob Wrestling the Angel of God.  A few of these are available if they strike you.  Next, are some studies for a large, 18″ x 12″, lino-cut of Obed Edom.  Finally, a few more prints and drawings.

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Four hand-colored Jacobs on the table

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Hand-colored Jacob, version 1 (sold)

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Color

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Coloring

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Hand-colored Jacob, version 2

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Evening light (The Golden Corridor)

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Hand-colored Jacob, version 3

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Obed Edom Studies

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I Chose You, Obed Edom (Preparatory drawing for a large scale lino-cut)

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Cherubim and Eye

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Earlier version of Obed Edom

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Obed Edom with a sprig of cedar

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head studies

Walking Man Becomes a Tree, sketch for copper-plate engraving

Walking Man Becomes a Tree, sketch for copper-plate engraving

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Go On, Job, Bread & Water, for sale on Etsy

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Goshen Ewe-Lamb, 3-color lino-cut, for sale on Etsy

Finally and thankfully, I was engaged by the keen and mysterious richness of this astonishing poem , from Tom Hirons yesterday.  As a rule, I generally do not to link to other work here, so Sometimes a Wild God represents an exception.

The Newton Chest

Newton Chest front bw

I am pleased to share some images of this memorial-hope chest built for a kind family up North.   They drove a long road to pick it up this weekend and meet my family and myself.  and found the road back with a little less leg room I am afraid.  I have sought that my work might be graced to carry God’s blessing for those who are receiving it.  I certainly hope this one does.  It is a dovetailed chest with drawers featuring an inlaid tree design and an unorthodox lid.   The woods were all harvested and milled here in Kansas: black walnut and green ash, with quarter sawn white oak, eastern red cedar, ebonized black walnut, bald cypress and poplar (not from KS).