craft
Holy, the Lesser Saints
Commerce
Workshop, Studio & Land

A slew of recent additions to our Etsy storefront are pictured below. There are prints, bowls, handmade goat milk soap with free shipping and a few paintings, even. Please click on the green BaumWerk sign immediately below to visit the store. Thank you!
Bodark Obed Edom
The Eternal Present
Johnny
Weitergehen “Go On”
Go On, Bezalel
“See, I have chosen Bezalel son of Uri, the son of Hur, of the tribe of Judah, 3 and I have filled him with the Spirit of God, with wisdom, with understanding, with knowledge and with all kinds of skills…” Exodus 31: 2 & 3.
Bezalel is kind of an early renaissance man, thousands of years before Brunelleschi, Michelangelo, or Durer. More importantly he was faithful to God’s design of him as a craftsman. He was found worthy to build the design of God concerning the tabernacle and all of its parts. As a craftsman and artist, it is hard to comprehend anything so significant to my earthly labors as to manifest on earth something that was authored in the very heart and mind of God. 
Elizabeth Duffy asked me about influences and progenitors in her interview with me last year. Here is an excerpt of my response pertaining to Bezalel: I hope, maybe, to be in the line of Bezalel, who fashioned so much for the tabernacle, making the sacred things that were part of the “technology” of worship of His God for his community. Personally, I couldn’t ask for more than that. Bezalel is valuable as a paradigm of an artisan of broad experience and skill. He could work in many trades and arts with skill worthy of God’s Tabernacle. My good friend reminds me of the value of a man of that breadth of experience and skill in contrast to a culture that places a premium on experts of high degree in a single field. When I wonder if I am hurting myself by embracing so many disciplines, I am grateful for Bezalel and his place in God’s story, and a few other men I have encountered who are champions of excellence in this way.
The drawing, an imagining of a portion of Bezalel’s tent-workshop, started two or three years ago, finally over the past two months I was able to finish it. It is composed along the lines of another drawing, Go On, Adam, Breathe. An potential series of drawings? The drawing to me feels so limited, compared to the vastness of what could be explored and depicted, as a task to learn about Bezalel, his labors, and his relationship to his God.
Through Winter
An Interview With Elizabeth Duffy
Elizabeth Duffy has been posting parts of an interview she began with me last spring and summer. To date, this interview consistutes the clearest and really, only articulation of the beliefs and values behind my work. I hope that you will take the time to read it. The interview will ultimately be posted in it entirety on this site, but for now, here is part 1, part ll, part lll, and the final bit part lV. Please take the time to read some of Elizabeth’s writing as well. She is authentic, humorous, and insightful. Her wit and self-effacing style reveal a woman on a significant journey with valuable things to say.



























































































































































































