Geometry of the Wounded Savior

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This grisaille (grayscale underpainting) of the interaction of Thomas and Jesus and the gathered disciples and their community, has been slowly developing over the past three years, the drawing took about two years before that.  I feel like the end of this particular phase is finally in sight on the distant horizon.  I look forward to seeing the structure fully unfold and ultimately to the beginning the glazing of colors.

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This Dirt Is Older Than I, or Elizabeth Duffy’s Witness

Nigh on two years ago I received an email from Elizabeth Duffy, a writer from Indiana, wanting to ask me a few questions about my art for her blog at Patheos.  She sent questions and I sent back my answers.  It went on for three or four months like that, and trust was built.  In the end she shared our interview in four parts on her blog.  Meanwhile Elizabeth felt the fruit of our dialogue merited a wider audience, and she went in quest.  Image Journal took the bet, and Elizabeth went to work.

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I owe a debt to Elizabeth, but not necessarily for publishing an article about me in a magazine, although, that too is cool, and I expect that the measure of artistic validation it lends me is not insignificant.  It is for her time and her witness that I am grateful, it is for her trustworthiness.  I suspect most artists wonder, like me, if all the labor and turmoil that goes into making art, which purports to have emerged from a deep place in the created heart, is not the dead end of futility that it so often seems to be.  I know at least that it matters to Elizabeth, so much so that she built a soap box and voiced it to as large an audience as she could muster.  More sacred, she proved her trust with those treasures in my heart which I was able to share with her.  That carries weight.  Thank you Elizabeth.  You came along side me and we plowed together.  We even made the cover.

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You can read the article online if you wish, or even buy the whole journal it here.

With genuine authenticity (I know it’s redundant) and authentic hunger, Elizabeth writes for a variety of different outlets, including Image Journal’s blog, Good Letters.   The best place to start and catch most of it, is at her personal blog.

The Champion Table

After about five months the Champion Table is finished and in its new home outside of Chicago.  The woods in this table are Kansas Black Walnut and White Oak (the base uses oak from Kansas, the top uses oak of lesser known origin, beyond my friend, the lumber man), the top features also a small amount of Ebony and sulfur.  The design is original, and evolved throughout the building process.  Central, is a crucifixion theme and the arc.  There are other symbolic elements as well, throughout.  I am deeply grateful to the Champion family for the opportunity to build a significant piece of furniture for their home and living.  I am also humbled and thankful for all the encouragement I have received throughout the building process.  Ultimately I am glad in my heart, laboring to make something that celebrates the goodness of God.

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Champion Table Build, Part 4: Base & Arc

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preparing to fit the base to the leg assembly

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defining a semicircle with 3 saw cuts

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3 saw cuts get refined into facets with a paring chisel

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and again

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then shaped with a rasp

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the base of one of the leg assemblies after the 1/2 lap-tapered dado has been cut

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here, mated with the white oak leg

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a different piece of white oak being shaped with a rasp, one of three slats joining the top of the leg assemblies together and to the table top

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the slats also receive a long bevel

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the slats will rest in the notches being cut into the top of this leg section

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clearing out material from the notch with a 1″ chisel

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establishing the final depth with a router plane

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here the slats are temporarily in place

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an arsenal of shaping tools to begin sculpting the legs

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shaping inside-curves of the leg assembly with an aggressive rasp

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forming a radius where the legs meet the base

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the preliminary drawings had a horizontal stretcher connecting the two leg assemblies at floor level. Having rough-shaped the components and taking a look, I started visualizing an arc instead. PVC pipe (already bent from a previous life in some low garden tunnels) offered a quick prototype to help see how it would look.

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the arc made sense, so now setting about squaring up a white oak timber for re-sawing

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re-sawn white oak and a glue-lamination form ready to make an arc

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the glue lamination in the form- my 8 year old son was indispensable in this process, helping to roll glue, assemble, and clamp

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rhythm is in unity to woodwork

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the white oak timber, reconfigured as a messy arc

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work for the jack plane

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now the smoothing plane

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cutting the tapers along the length of the arc at the band saw

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marking the taper at the width

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cutting the taper at the width

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more elbow grease with the smoothing plane

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shaping the many curves and facets along the arc, first with a drawknife

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then with spokeshave

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establishing details with knife

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facets ease into curves

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test fitting- some refining-shaping to go yet

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setting the location of the chamfers on the leg-base

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shaving away rasp markings

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carving corner transitions

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so many details to bring together- here the leg base is about done.

That’s it for this round- next week there will be lots of sanding, also carving and inlay work as the table finally starts to become unified. Thank you to everyone for following along, and for your encouraging comments.

Holy, the Lesser Saints

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the lesser saints

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weave their quiet

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agile stories

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amongst the lives

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of greater lights

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holy, the lesser saints

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the color

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upon their brows

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they do not cry out

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they do not turn

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hearts raised like rafters

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heavenward

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forever orbiting

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tireless in quest

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the sphere of your glory

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to enter and remain

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bring newer life

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from ancient tribes

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all in anticipation

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groaning in the yearning

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their own eternal ribbon voice

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those who have ears…

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let them hear

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bring your longing

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bring your capacity

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for fullness

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in the life of the soil

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countless prophets

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behold and know

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see and have understanding

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awaken, members of wholeness

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you are provision

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you are appointed

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little lights, you are His

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lesser saints

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holding up mountains

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echoes of distant voice

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priests of the eternal present

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fierce and strange

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are the quiet ones

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in silent witness

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givers of the heart of God

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receiving and giving from the heart of God

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celebrating mystery in plain-ness

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in infinite variety and order

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teach the spiritual truths of rest and labor

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sweat and awe

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all from silent knees and horns

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in the unending world, glory will be known forever

Commerce

Workshop, Studio & Land

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A slew of recent additions to our Etsy storefront are pictured below.  There are prints, bowls, handmade goat milk soap with free shipping and a few paintings, even. Please click on the green BaumWerk sign immediately below to visit the store.  Thank you!

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